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- <text id=90TT0596>
- <title>
- Mar. 05, 1990: Two Scoops Of Vanilli
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1990
- Mar. 05, 1990 Gossip
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- MUSIC, Page 69
- Two Scoops of Vanilli
- </hdr>
- <body>
- <p>Chart busting with a pair of pretty guys from Europop
- </p>
- <p>By Jay Cocks--With reporting by Denise Worrell/Los Angeles
- </p>
- <p> Unheard of. Milli Vanilli, a dance-music duo that sounds
- like Alvin and the Chipmunks and speaks English like the two
- Teutonic muscleheads on Saturday Night Live, has done something
- boggling. The group, scorned by critics and adored by clubgoers
- and devotees of MTV, has scored three No. 1 singles off its
- debut album, Girl You Know It's True. It has also sold 10
- million copies worldwide (7 million in the U.S.), put together
- a video compilation of its greatest hits that sold 100,000
- copies in a month, and copped three American Music Awards in
- January. Last week the Millis strutted their stuff on the
- Grammys and boogied off with the Best New Artist award. But
- it's those singles, those best-selling singles. The current
- entry, All or Nothing, is soaring high too. Unheard of.
- </p>
- <p> Alas, Milli Vanilli is also heard from. "Musically, we are
- more talented than any Bob Dylan," announces Robert Pilatus,
- 24, with very little prodding. "Musically, we are more talented
- than Paul McCartney. Mick Jagger, his lines are not clear. He
- don't know how he should produce a sound. I'm the new modern
- rock 'n' roll. I'm the new Elvis." His (often silent) partner,
- Fabrice Morvan, 23, has his own key to success: "Rhythm, you
- know."
- </p>
- <p> Thanks, boys. Perhaps some of that abrasiveness comes from
- youth. But more of it may be a way of combatting the pasting
- that Milli Vanilli has received from such precincts of rock
- traditionalism as Rolling Stone (Worst Album and Worst Band--1989 Critics' Picks Poll). Rockers, of course, hardly mess at
- all with dance music, which is all right with the Millis. "We
- have only gotten bigger and bigger," says Pilatus about all the
- flak. "It just makes me more aggressive, and if I get
- aggressive, I get better. If I get better, it's worse for you."
- </p>
- <p> How much worse than the Millis can things get? Their
- lighter-than-airhead lyrics and freeze-dried hip-hop rhythms
- combine pop and pap in tunes for instant consumption and rapid
- oblivion. Pilatus, the son of a German striptease dancer and
- an American soldier, was raised in Munich by an adoptive
- family. Morvan was born in Paris ("My father installed the air
- conditioning; my mother was a chemical biologist"). They hooked
- up in 1985, when both were in Los Angeles.
- </p>
- <p> The two are products of the slick tradition of Europop that
- combines street sounds (usually American, like rap and house
- music) with disco glitz. The result is a kind of musical
- fashion show in which the look is as seminal as the sound, the
- moves more decisive than meaning. The Millis appear in their
- videos snazzily dressed, or half-dressed ("Our clothes style
- is to go for fashion"), whirling like cotton candy around a
- spool, executing dance maneuvers that fall a bit short of def.
- They are musical mannequins, modeling, selling and finally
- buying their own line.
- </p>
- <p> Milli Vanilli is, as Pilatus says, "just a fantasy name,"
- and their whole success is a kind of fairy tale, a musical
- fable for this uncertain transitional time in rock. The Millis
- go down easy, and easy, for the moment, looks like enough. This
- is not to suggest, however, that the Millis are unaware of
- their social impact. "Like a friend of mine went to Africa,"
- Pilatus reports. "And there was no soap and no Coke. But there
- was Milli Vanilli."
- </p>
-
- </body>
- </article>
- </text>
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